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Literature Commentary: A Princess of Landover

Believe it or not, I don’t spend ALL my time reading dense, serious classics. After finishing “Faust” this past weekend, I decided it was time to read something a little easier…namely Terry Brooks’ latest “Magic Kingdom of Landover” novel – “A Princess of Landover.”

Terry Brooks has been one of my favorite fantasy writers since I was eleven. His “Shannara” series, spanning seventeen volumes, is undeniably one of the great masterworks of fantasy. As I grew older, I found his “Word and Void” novels both haunting and thought-provoking. However, he’s also written another series – one without the high-fantasy overtones of “Shannara” or the dark intensity of “Word and Void.”

Informally known as the “Magic Kingdom” novels, these five books – now six – follow the adventures of Ben Holiday, a Chicago lawyer who purchases the deed to a magical kingdom from the Neiman Marcus Christmas catalog. The first volume “Magic Kingdom for Sale – Sold!” chronicled his initial foray into the kingdom of Landover and his acquisition of the throne. Further volumes – “The Black Unicorn” “Wizard at Large” “The Tangle Box” and “Witches’ Brew” – sent Ben all across Landover, battling evil forces and searching for hidden secrets.

The world of Landover isn’t nearly as complex or structured as Tolkien’s Middle-earth, LeGuin’s Earthsea, or even Brooks’ own Four Lands. It’s a little reminiscent of the Chronicles of Narnia – everything isn’t fully explained, yet there’s a definite internal consistency underlying it all. Most of the characters show up in every book – the evil witch Nightshade, the unpredictable dragon Strabo, the dysfunctional wizard Questor Thews, and the beautiful sylph Willow are regular cast members. While it has its dramatic moments, the series as a whole has a “don’t-take-this-too-seriously” attitude – a breath of fresh air in a genre that seems to be getting grimmer and grimmer.

“A Princess of Landover” is set ten years after the fifth book, “Witches’ Brew.” Ben is the King of Landover and has a fifteen-year-old daughter, Mistaya, who happens to be part sylph. Her magical heritage gives her a remarkable intelligence, which makes it difficult for her to fit in at her preparatory school back on Earth. After an incident that gets her indefinitely suspended and sent back to Landover, Mistaya is assigned a punitive task by her father: refurbishing the decrepit library of Liberis and turning it into a useful resource for the kingdom.

Thus begins the adventure.

Brooks writes with wit, warmth, and intensity, blending these disparate concepts into a brilliant whole. Even after having authored twenty-five previous books, “A Princess of Landover” feels fresh and fluid. The plot is clever and sophisticated, holding readers’ interest until the very last page. Both longtime fans and newcomers will find much to like here – there’s plenty of magic, suspense, action, and a touch of romance.

(A note on the magic: Anyone who isn’t offended by “The Chronicles of Narnia” won’t have a problem with the “Magic Kingdom” series.)

Objectionable content? Negligible. The violence is restrained, there’s no innuendo, and there’s only one d-word. It’s also worth noting that “A Princess of Landover” contains a very positive message regarding parenthood and individual responsibility that many conservatives will find especially gratifying. In my opinion, any fans of fantasy who aren’t familiar with Terry Brooks have been seriously deprived. His books are some of the cleanest and best-written around, with the remarkable ability to haunt the reader long after the final page is turned.

“A Princess of Landover” is the first new “Magic Kingdom” novel in over ten years. I hope the next one arrives a little more quickly. 🙂

VERDICT: 8.5/10
Brooks’ best novel since 2006’s “Armageddon’s Children.” Well worth the wait.

(Anyone interested in the “Shannara” or “Word and Void” sagas, send me a PM or comment on this post. There’s a lot to discuss. 🙂 )

 
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Posted by on September 30, 2009 in Fantasy

 

Literature Commentary: Faust

It’s one of the most well-known stories in world literature: a man sells his soul to the devil in return for unimaginable power and the fulfillment of all his desires. After noticing “Faust” on the recommended reading list for Patrick Henry, I thought it might be useful to read Johann Wolfgang von Goethe’s classic play for myself.

(Note: In order to analyze the theological underpinnings of this complex work, the following review contains spoilers.)

Faust is an alchemist in search of truth. He has probed the complexities of the four elements and sought answers in the spirit world, but all to no avail. When the devil Mephistopheles appears to him, promising to reveal the secrets of the universe, it’s an easy decision for Faust. He quickly accepts Mephistopheles’ offer and embarks upon a bizarre journey through time and space.

Faust promptly employs Mephistopheles’ powers to win the heart of Margaret, a young and innocent girl. He seduces and abandons her before traveling with Mephistopheles to an assembly of evil forces. Overcome with horror at what he is seeing, he returns to Margaret’s hometown and finds her imprisoned for her sin. With a little help from Mephistopheles, he tries to free her, but she dies during the escape. To assuage his grief, Mephistopheles shows him an image of the beautiful Helena of Troy, with whom Faust immediately falls in love. The rest of the book chronicles Mephistopheles’ journey through time to bring Helena to Faust. (There are a lot of other scenes, but they’re not especially pivotal).

As the final scene opens, Faust is an old man, alone once again, who rules the kingdom that Mephistopheles provided for him. He knows that as soon as he dies, the devil will arrive to claim his soul. He resigns himself to his fate and dies. Mephistopheles eagerly attempts to seize Faust’s soul, only to have it snatched from his grasp by a host of angels who miraculously intervene. Faust is carried to heaven and reunited with Margaret, leaving an angry Mephistopheles feeling cheated of his lawful prey.

This story is obviously full of theology, and worthy of thorough analysis…but because it’s such a dense, complicated, and difficult work, I’ll be fairly brief here. For me, the biggest surprise was that Faust’s soul is ultimately redeemed at the end of the story. I was fully expecting Mephistopheles to show up and drag Faust down to Hell. This narrative choice is both a good thing and a bad thing.

In one sense, “Faust” accurately reflects the Christian understanding that grace is unmerited – that we cannot win God’s favor for ourselves and must rely on His sovereign grace for salvation. Faust is, by the end of the story, incapable of redeeming himself or drawing close to God…but through His mercy, God chooses to redeem Faust and bring his soul to heaven.

But in another sense, Faust never genuinely repents of his misdeeds. He has used Mephistopheles’ power for selfish gain, and never truly repudiates the devil who gave him earthly riches. The heart of Christianity is a recognition of sin and Christ’s power to overcome it. We must acknowledge Jesus as Lord, not Self as Lord, to allow the Holy Spirit to begin His redemptive work in our hearts. Faust, while he expresses regret over some of the things he has done, never genuinely turns from his life of sin or makes any substantial effort to do so.

It’s certainly food for thought, and it’s an interesting concept. However, “Faust” is marred by hundreds of pages of tedious dialogue and digressions, which add nothing to the relatively simple storyline. It’s extremely dull at points (especially in “Part II” – the second half) and not all that rewarding. Worth reading for those who (like me) may be required to study it later in college, or anyone who has an interest in the origins of the Faust/Mephistopheles concept. For everyone else, there are a lot of other classics that will probably be more meaningful.

VERDICT: 5/10
Interesting, but there are probably more productive ways to spend your time.

 
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Posted by on September 28, 2009 in Classic