RSS

Movie Review: “Toy Story 3”

“Toy Story 2” was the second movie I ever saw in theaters…I was about 8 at the time, and was totally entranced by the adventures of Woody, Buzz Lightyear, Jessie, and the rest of the memorable gang from Andy’s room. Although a lot of the emotional complexity was lost on me, I could still appreciate that it was more than just another animated kiddie-movie.

Ever since its inception, Pixar has had a knack for crafting brilliantly complex stories with cross-cutting demographic appeal. “Finding Nemo,” “The Incredibles,” “Up”…the list goes on and on. But “Toy Story” has been, perhaps, the most beloved Pixar series of all – a poignant series exploring issues of loss, abandonment, loyalty, and friendship. And “Toy Story 3,” the most recent entry in the franchise, is the outstanding crown jewel of this groundbreaking trilogy.

“Toy Story 3” begins with an action-scene spoof that’s really being played out in Andy’s imagination. It’s a charming introduction to a film that soon takes a surprisingly melancholy turn…Andy’s heading off to college, and the long-neglected toys are searching for some sort of relevance. After a narrow escape from the dreaded trash truck, they end up at the seemingly wonderful Sunnyside Daycare Center, where the strawberry-scented Lots o’ Hugging Bear (Lotso for short) offers them a permanent place to stay.

Unfortunately, Sunnyside turns out to be more of a prison than a paradise. Courageous cowboy Woody takes it upon himself to rescue his friends from Lotso’s sinister scheme – evoking imagery reminiscent of “Mission: Impossible” or “The Great Escape.”

I won’t say any more for fear of giving away plot elements…but suffice it to say that the film takes a series of very unexpected turns that are both unsettling and deeply moving.

I’ll start with the obvious: this is a fairly dark children’s movie. Most of the under-fives who see this movie will not be able to understand the underlying emotional complexity of the film, and thus will be disturbed by some of the scenes in the movie’s final act. Themes of death, sacrifice, and growing up aren’t exactly typical G-movie fare.

And parts of this film are truly heart-wrenching. Few movies have ever touched me as deeply as “Toy Story 3” did in its final moments. For a story about computer-animated toys, it elicits an unbelievable emotional impact. And that’s probably because it addresses such universal issues – a key reason for the series’ enduring popularity among children, teens, and adults alike. Pixar takes a step beyond the stereotypical or predictable “happy ending” by never flinching from the realities of life. In the context of a fantastical film, that’s a difficult balance to strike.

That’s not to say it doesn’t have its funny moments, though, because it does. Chief among these is a hilarious sequence in which space ranger Buzz Lightyear’s programming is reset to Spanish, transforming him into a mashup of Space Ranger and Zorro. A couple of new characters (Ken and Barbie) add a comic-romantic element to the series that ends up being immensely amusing (the mild innuendo present in the trailer is, for the most part, absent – the movie relies on clever humor rather than entendres and scatological humor).

Worldview elements are practically nonexistent. This movie is beautiful in its innocent simplicity – while characters behave in a way consistent with Christian principles of love and loyalty, the issue of God is never raised.

So, is it worth seeing?

I’ll admit that at first, it sounded like another little-kid movie. Happily, I was completely mistaken. This is a touching film that strikes a deep chord within the human soul – our need to be loved and accepted, and the pain of moving on to new stages of life. I wouldn’t take a four-year-old to see it, but I found it to be truly outstanding. Definitely one of Pixar’s finest pieces, and absolutely worth watching.

This one’s highly recommended.

VERDICT: 9/10
A near-flawless blend of humor, excitement, and emotional resonance.

Normalized Score: 7.9

 
1 Comment

Posted by on June 19, 2010 in Fantasy

 

Literature Commentary: Don Quixote

I refuse to be defeated by any book. Unless I have some serious moral problem with a given work, I will almost never return a book to the library just because I got “bored” of it. There’s just something in my psyche that rebels against throwing in the towel…and Miguel de Cervantes’ classic novel “Don Quixote” has long been a burr under my saddle. I started the abridged version many years ago – and didn’t finish it. About six months ago, I tried the unabridged version – and it went back to the library unfinished.

That situation has now been remedied. And I finally feel a sense of completion.

“Don Quixote” is a bit of a paradox. On one hand, it’s a thought-provoking meditation on the nature of chivalry and the impact one man can have on the lives of others…but it’s also a long, tedious slog through page after page of inane dialogue and occasionally bawdy humor. Is it worth your time?

The book is best known for its memorable depiction of Don Quixote jousting with windmills he believes to be giants. The overarching story, however, is a bit more complex than that. Don Quixote is a Spanish nobleman with an affinity for “books of chivalry” (semi-historical adventure stories, vaguely reminiscent of something a 16th-century Clive Cussler might have written). These stories so inspire Don Quixote that he decides to become a knight-errant – a warrior riding from place to place righting injustices and saving damsels in distress.

Of course, any good knight-errant needs a lady to inspire him. So Don Quixote settles on the semi-attractive Aldonza Lorenza, a peasant girl from a nearby village. The fact that he has never actually seen her is irrelevant – he promptly decides to call her Dulcinea del Toboso and resolves to perform great deeds in her honor. Along with his faithful squire, the slightly slow-witted Sancho Panza, Don Quixote sets out to win fame and renown in the name of Dulcinea. But such seeming “madness” doesn’t go unnoticed by his neighbors – particularly the village curate and barber. The two men take it upon themselves to “cure” Don Quixote, following him and his squire around the Spanish countryside in the hopes of restoring his senses. Thus begins the adventure of Don Quixote – a long, meandering epic that takes him hither and yon in search of everlasting glory.

At first I hated this book. The first five or six hundred pages are full of digressions and seemingly meaningless episodes that didn’t appear to add anything. Things do pick up in the latter half of of the novel, however…and it becomes clear that Cervantes had a purpose beyond mere entertainment.

It would’ve been easy to write off Don Quixote as simply a comic novel – if not for the complex attitude toward honor and chivalry that the book espouses. (Note that in order to fully explore the depth of this novel, the following discussion contains spoilers.)

At first glance, the story appears to satirize the fantastical adventures of bold knights, cunning enchanters, and beautiful princesses. And as previously mentioned, most people’s image of Don Quixote is of a ramshackle knight trying vainly to knock down windmills. When given only a cursory look, it seems as if “Don Quixote” was written to poke fun at the idealized notions of chivalry and honor popular at the time.

However, such a view misses the true point of the novel.

It took me almost one thousand pages of reading to realize the significance of all the apparently useless adventures early on in the book. Although Don Quixote’s behavior appears to be totally irrational (and his conversation is punctuated with nonsense references to enchantments and wizards), he is actually successful in performing deeds of honor.

The primary conflict in the first half of the book revolves around a love square (something like “A Midsummer Night’s Dream”). Through Don Quixote’s intervention, the fullest happiness is in fact attained for all the individuals involved. His commitment to living chivalrously forbids him to allow wrongs to go uncorrected.

Later on in the book, Don Quixote and Sancho fall in with a duke and duchess who decide to play along with Don Quixote’s madness. They make sport of him by inventing outlandish situations that appear to be pulled straight from the pages of one of his “books of chivalry.” Don Quixote escapes, but is confronted by a mysterious “Knight of the White Moon” who defeats him in single combat and makes him promise not to leave his village for the space of one year. (In reality, the “Knight of the White Moon” is a fellow villager that the curate and barber have employed to stop Don Quixote.)

The curate and the barber take Don Quixote home in the hopes of curing him. Don Quixote, however, soon becomes fatally ill. On his deathbed, he “regains his sanity” and renounces the absurdly chivalric lifestyle he has previously led. However, in a surprising twist, his fellow villagers (who had previously ridiculed him) recognize the impact he has had on others. They tell Don Quixote that he is mistaken: that he is the Knight of La Mancha and must continue to be so. Despite all the mocking jests they have hurled at him over the years, they cannot escape the truth that he has given them a new way of looking at the world.

And that is the true beauty of “Don Quixote.” It is not a mockery of chivalry so much as it is a celebration of it. Don Quixote’s ironclad commitment to courtesy, honor, and justice does not go unnoticed by those around him – even the ones who formerly sneered at his behavior.

Worldview elements are somewhat synthesized with the previously discussed message of the story. As a whole, the novel affirms traditional moral values (although certain “humorous” scenes are of somewhat poor taste). Although there are a few jokes at the expense of the Catholic Church and the priesthood, Christianity as a whole is treated with great respect. (Readers may wish to be aware that the same respect is not necessarily accorded to Islam – an attitude that is not laudable, but is undeniably consistent with the sentiments of the time.)

So should you read it?

I hate to ever encourage someone to read an abridged version. Having read the full, unabridged version, I honestly question whether an abridged edition would be able to accurately convey the overarching message of the novel (and not just devolve into a string of semi-comic episodes). But since I haven’t read an abridged version, I can’t say anything for sure.

The full version of “Don Quixote” is truly a massive tome. With an unabridged edition that tops out at roughly 1200 pages, it’s almost as long as “War and Peace.” And it’s exceedingly dull in portions (especially those that seem to have no relation to the rest of the story). However, it is also a thought-provoking look at the nature of true chivalry – and that in itself makes the book a worthy read. It doesn’t really kick into high gear until the last two hundred pages or so…but the ending is an emotional touchstone that justifies spending hours wading through the slower segments.

If you’re a fan of classic literature, the uncut “Don Quixote” is probably a must-read. If you prefer more casual entertainment, an abridged version might be more enjoyable. It’s not for everyone…but there’s a reason it’s on all those lists of “great books.”

VERDICT: 7/10
A long parable of chivalry and adventure that is redeemed by its finale.

Addendum: Coldplay fans will appreciate this (I just found this today, and it’s surprisingly relevant!): http://www.youtube.com/watch?v=p3K4TrKus60

 
6 Comments

Posted by on June 1, 2010 in Classic