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Literature Commentary: The Good Earth

If you’re like me, when you think of “China,” one of two images pops into your mind: Marco Polo’s cities of gold and the Great Wall of China; or an authoritarian Communist economic powerhouse. Often overlooked is the culture of the pre-Revolutionary Chinese peasantry…the backbone of a world power, and the society from which the seeds of revolt sprang.

Pearl S. Buck’s classic novel, “The Good Earth” explores the life of one Chinese villager, Wang Lung, at the beginning of the 20th century. Born into an exclusively agrarian community, his highest ambition is to become a successful, independent farmer and have many sons to succeed him. The book proceeds to chronicle Wang Lung’s life from his youthful marriage to his old age, in the process achieving a spellbinding blend of simplicity and depth.

As the novel opens, Wang Lung marries O-lan, the kitchen slave of a wealthy and powerful lord in the area. Several children soon follow, and Wang Lung’s prosperity begins to increase. He begins to acquire additional farmland from the aging, indebted aristocrats, and elaborate schemes for future development take root in his mind. However, all his ambitions must be placed on hold when a devastating famine strikes the region. Refusing to watch his family die (or practice cannibalism to survive!), Wang Lung leads his wife and children to a southern city, where he engages in backbreaking labor to feed his family.

It is in this city that Wang Lung first senses discontent among the underclass. The great men of the city live in luxury, heedless of the suffering outside their doors. Finally, tensions reach the boiling point, and a mob of rioters storms the palace of the wealthiest lord. During the uprising, Wang Lung comes into possession of a large amount of gold – enough to return his family to the northern farm country and become a wealthy landowner.

The rest of the novel chronicles Wang Lung’s increasingly decadent – yet still pragmatic – lifestyle. Instead of a story of survival, it becomes a tale of Wang Lung’s slow metamorphosis into that which he once abhorred. As he prospers more and more, he begins to lose touch with the people that have meant the most to him – his wife, his sons, his former friends… I won’t spoil the ending, but it demonstrates rather starkly the transience of material goods.

This book is a must-read for any individuals interested in Chinese history and culture. It dramatically depicts the attitudes and lifestyles of the commoners who would later instigate the Chinese Revolution, and demonstrates the grotesque opulence of the nobility against which they rebelled. As an analysis of the roots of modern China, “The Good Earth” succeeds brilliantly. From a literary standpoint, the novel is exquisite in its simple style. It uses plain language and a narrative-based story structure to communicate enduring truths, without ever compromising its mature tone. This elevates it far above other historical fiction in the same vein.

The worldview of the story is implicit in the plot itself: material goods are temporary, but relationships are of lasting value. Traditional aspects of Chinese culture, such as the worship of ancestors or Buddhist deities, are for the most part absent. (I would have been personally interested to see how these external standards of morality – albeit, flawed standards – would have affected the decisions of the main characters.) From a content standpoint, “The Good Earth” does delve into some pretty mature issues. As previously discussed, there is a discussion of cannibalism early on in the novel. Later on, Wang Lung takes a second wife (a former courtesan), leading to tension and discord in his household. (This unwise decision is never condoned, and leads to a toxic outcome.) This isn’t the sort of historical fiction book to give to a fourth-grader.

However, older teens and adults will likely find “The Good Earth” a compelling story of perseverance, sacrifice, and human weakness. Highly recommended.

VERDICT 9/10
A dramatic tale of life in early China. Well worth reading.

Author’s note: This will likely be my last literature commentary for some time. Further commentaries and movie reviews will be posted as my college schedule permits.

 
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Posted by on August 12, 2010 in Historical

 

Movie Review: “Ramona and Beezus”

Believe it or not, not every movie I enjoy involves large amounts of action. There’s a lot to be said for a simple story, likable characters, and an upbeat message. “Ramona and Beezus,” a live-action adaptation of the classic children’s books by Beverly Cleary, certainly fits the bill – and is a refreshing change from the Hollywood norm.

Ramona Quimby (perfectly portrayed by newcomer Joey King) is an imaginative nine-year old with an unfortunate propensity for getting into mischief. She struggles in school, feeling like she’s always stuck in the shadow of her straight-A teen sister Beezus (short for “Beatrice” – played by Selena Gomez). But when bad times strike the Quimby household – her father loses his job, and the family home is jeopardized – Ramona vows that she’ll find a way to help her family.

It sounds like a simple plot, and it is. Where the film shines is in its ability to blend a myriad of charming storylines together into a cohesive whole. Ramona’s desperate attempts to please her seemingly aloof teacher…her father’s nerve-racking struggle to find a job….the Quimby girls’ Aunt Bea reconnecting with her roguish long-lost sweetheart…the gentle awkwardness of Beezus’ relationship with schoolfellow/love interest Henry Huggins…all of it works in the context of Ramona’s world. Refreshingly, it avoids the modern Hollywood trend towards “grittiness,” instead taking a look at the brighter side of everyday life.

Film directors, take note: not everyone is struggling through a sad, miserable existence. Some of us actually enjoy life.

The film is also one of the best book-to-movie conversions I’ve ever seen. It departs from the source material enough to keep things interesting (combining the most memorable elements from an 8-book series into one film, and updating the books from the 1950s to the 2000s) while never compromising the series’ core values. This movie is about family – and even better, a family that truly loves and cares about one another. Ramona’s father is never portrayed as the stereotypical bumbling Hollywood dad…he obviously loves his wife and daughters, spends time investing in them, and is willing to make sacrifices for them. Likewise, her mother is portrayed as caring and kind, even during stressful times. And while Beezus and Ramona have the expected sibling disagreements, they’re never truly malicious toward each other.

This is not a movie with a real message, other than maybe “home is where the heart is.” It’s not a worldview film – it’s a family movie that doesn’t try to tackle the “big questions” of life. And that in turn brings up an interesting question: would Christian movies perhaps be more effective if they didn’t try to cover quite so much ground in every film? If more Christian filmmakers created films like “Ramona and Beezus,” that celebrate traditional family values, some of those put off by heavier-handed techniques might be much more receptive to the gospel message. The same holds for a movie such as “The Blind Side” – it’s clear that Christianity is a driving influence on the main characters’ lives, though the message is never overemphasized to the point of becoming didactic. I think it’s possible to reach a balance between embracing culture (becoming like the world) and encountering it (being in the world, but not of it).

I think this may be the only movie I’ve ever reviewed where I can honestly say there is no objectionable content whatsoever. There’s no innuendo, violence, or language whatsoever. It’s wholesome entertainment that both kids and adults can appreciate, without veering into “trite” territory. I personally enjoyed this film because of its blend of innocence with intelligent humor – it’s legitimately funny without ever being crass. That’s not very common in modern movies, unfortunately.

If you need a change from the often-depressing movies and books pervading our culture, go see “Ramona and Beezus.” It’s definitely worth your time. And if, like me, you read the books when you were younger, this one’s a must-see.

VERDICT: 8.5/10
It’s a real shame that there aren’t more movies like this.

Normalized Score: 6.9

 
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Posted by on August 7, 2010 in Contemporary