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Yearly Archives: 2010

Movie Review: “Ramona and Beezus”

Believe it or not, not every movie I enjoy involves large amounts of action. There’s a lot to be said for a simple story, likable characters, and an upbeat message. “Ramona and Beezus,” a live-action adaptation of the classic children’s books by Beverly Cleary, certainly fits the bill – and is a refreshing change from the Hollywood norm.

Ramona Quimby (perfectly portrayed by newcomer Joey King) is an imaginative nine-year old with an unfortunate propensity for getting into mischief. She struggles in school, feeling like she’s always stuck in the shadow of her straight-A teen sister Beezus (short for “Beatrice” – played by Selena Gomez). But when bad times strike the Quimby household – her father loses his job, and the family home is jeopardized – Ramona vows that she’ll find a way to help her family.

It sounds like a simple plot, and it is. Where the film shines is in its ability to blend a myriad of charming storylines together into a cohesive whole. Ramona’s desperate attempts to please her seemingly aloof teacher…her father’s nerve-racking struggle to find a job….the Quimby girls’ Aunt Bea reconnecting with her roguish long-lost sweetheart…the gentle awkwardness of Beezus’ relationship with schoolfellow/love interest Henry Huggins…all of it works in the context of Ramona’s world. Refreshingly, it avoids the modern Hollywood trend towards “grittiness,” instead taking a look at the brighter side of everyday life.

Film directors, take note: not everyone is struggling through a sad, miserable existence. Some of us actually enjoy life.

The film is also one of the best book-to-movie conversions I’ve ever seen. It departs from the source material enough to keep things interesting (combining the most memorable elements from an 8-book series into one film, and updating the books from the 1950s to the 2000s) while never compromising the series’ core values. This movie is about family – and even better, a family that truly loves and cares about one another. Ramona’s father is never portrayed as the stereotypical bumbling Hollywood dad…he obviously loves his wife and daughters, spends time investing in them, and is willing to make sacrifices for them. Likewise, her mother is portrayed as caring and kind, even during stressful times. And while Beezus and Ramona have the expected sibling disagreements, they’re never truly malicious toward each other.

This is not a movie with a real message, other than maybe “home is where the heart is.” It’s not a worldview film – it’s a family movie that doesn’t try to tackle the “big questions” of life. And that in turn brings up an interesting question: would Christian movies perhaps be more effective if they didn’t try to cover quite so much ground in every film? If more Christian filmmakers created films like “Ramona and Beezus,” that celebrate traditional family values, some of those put off by heavier-handed techniques might be much more receptive to the gospel message. The same holds for a movie such as “The Blind Side” – it’s clear that Christianity is a driving influence on the main characters’ lives, though the message is never overemphasized to the point of becoming didactic. I think it’s possible to reach a balance between embracing culture (becoming like the world) and encountering it (being in the world, but not of it).

I think this may be the only movie I’ve ever reviewed where I can honestly say there is no objectionable content whatsoever. There’s no innuendo, violence, or language whatsoever. It’s wholesome entertainment that both kids and adults can appreciate, without veering into “trite” territory. I personally enjoyed this film because of its blend of innocence with intelligent humor – it’s legitimately funny without ever being crass. That’s not very common in modern movies, unfortunately.

If you need a change from the often-depressing movies and books pervading our culture, go see “Ramona and Beezus.” It’s definitely worth your time. And if, like me, you read the books when you were younger, this one’s a must-see.

VERDICT: 8.5/10
It’s a real shame that there aren’t more movies like this.

Normalized Score: 6.9

 
4 Comments

Posted by on August 7, 2010 in Contemporary

 

Literature Commentary: Barnaby Rudge

Chances are you’ve never heard of this book. I hadn’t either, until I was browsing the Dickens section of my local library and ran across a volume I’d never seen before. Curious, I decided to see if it was up to the standards of his other work. And I am happy to report that yes, it is. It makes me wonder how many other “undiscovered classics” are lurking out there in the jungle of obscurity.

The plot of “Barnaby Rudge” hinges on the English anti-Catholic revolts of 1780, although the story actually begins several years earlier. It revolves around three primary characters: the eponymous Barnaby (a kind, albeit slow-witted, young man), Joe Willet (the romantic, idealistic son of an innkeeper) and Edward Chester (a bold young nobleman, and the son of a decadent London politician). Their lives, and the lives of those they both love and hate, are woven together into a single tapestry of mystery, romance, and danger.

The story opens at the Maypole Inn, on the twenty-second anniversary of a violent murder at the lordly Haredale estate. A mysterious dark rider prowls the countryside, seemingly linked to the victims in some strange way. But young Edward Chester isn’t afraid of any specters – he has vowed to see his love Emma Haredale, niece of the murdered man, regardless of the cost. Assisting him in his efforts is Joe Willet, the son of the Maypole’s owner, who bears a secret affection for the beautiful Dolly Varden, daughter of a London locksmith.

Unfortunately, fate deals the four lovers some cruel blows.

As Mr. Haredale (Emma’s father) and Lord Chester (Edward’s father) scheme to separate their two children, Joe and Dolly must contend with the sinister attentions of the servant Hugh, who is somehow connected to the grim horseman traveling throughout the countryside. To make matters worse, anti-Catholic feeling in England is reaching a fever pitch…and an explosive conflict appears imminent. All of these conflicts somehow touch the lives of Barnaby Rudge, a simple-minded young man, and his careworn-yet-loving mother. And the roles they play in the climax of the story are anything but predictable.

The magic of Dickens lies in his ability to craft characters that are both realistic and archetypal – individuals with recognizably human characteristics, who still manage to embody certain distinctive concepts. For example, the two romances in the story both parallel and contrast one another: both involve noble young men pursuing virtuous young women despite obstacles, yet the relationship between Joe and Dolly is much more emotional than the love story between Edward and Emma. This is entirely intentional: Edward and Emma are represented as pragmatic and level-headed, while Joe and Dolly fulfill the roles of the story’s everyman and everywoman. All of Dickens’ characters, however, are vivid and relatable.

As is the case in all his books, the villains are especially memorable. The revelation of the dark rider’s identity is a chilling twist that lingers long in the mind, leading to some particularly interesting situations toward the end of the novel. Lord Chester is perfectly portrayed as a cunning puppet-master grown fat (literally and figuratively) on the misery of others. It’s a solid cast of characters that rivals that of “Oliver Twist” or “Great Expectations” for its sheer breadth and depth.

Interestingly, the story doesn’t focus much on the roots of the Catholic/Protestant struggle. This book isn’t about ideas so much as it is about people and their motivations. (Dickens does a masterful job of dealing with more abstract-issue conflicts in “Hard Times” and “The Old Curiosity Shop.”) I would’ve liked to hear a little more about the moral dilemmas faced by leaders on both sides of the issue, but that isn’t the point of the book…thus it’s not a particularly disappointing exclusion.

If you like Dickens’ books, you shouldn’t miss “Barnaby Rudge.” Most fans of English literature have probably enjoyed “A Tale of Two Cities” “Oliver Twist” “Great Expectations” or”David Copperfield,” but a huge chunk of Dickens’ work has slipped under the literary radar. It’s not exactly short at 750 pages, but that’s pretty standard for a Dickens work of this complexity. “Barnaby Rudge,” like many of the author’s other little-known works, is a sweeping, dramatic read that most classics fans should enjoy.

VERDICT: 8.5/10
An exciting, epic masterpiece from one of England’s greatest writers.

 
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Posted by on August 3, 2010 in Classic