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Monthly Archives: October 2009

Literature Commentary: Anthem

Ayn Rand is the founder and principle advocate of Objectivist thought: the belief that man is an end in himself, and the pursuit of happiness is the highest end of his life. After reading and pondering her two landmark novels, “Atlas Shrugged” and “The Fountainhead,” I was interested to see whether her early work reflected the same sentiments. I subsequently downloaded the eBook version of “Anthem” onto my iPod touch, and finished it this morning.

(Note: the following review does contain some spoilers.)

Fans of “1984” “City of Ember” or “The Giver” will find much to like in “Anthem.” It’s a postapocalyptic novel set in a society of unchecked collectivism, where individuals refer to themselves in the first-person plural as a reflection of their “brotherhood.” Each person is assigned a task in society by a supreme Council, which governs all aspects of their daily life.

Equality 7-2521 is a Street Sweeper, forbidden to pursue knowledge. One day, he discovers a sinkhole leading to a hidden cavern, which in turn contains an assortment of objects from the “Unmentionable Times” (our current era). He constructs a simple electrical circuit, planning to offer it to the World Council of Scholars as a gift to mankind. Before the Council is held, however, he is ruthlessly interrogated and tortured in the Palace of Corrective Detention, in an attempt by the local Council to discover what he has learned. When he finally escapes and presents the circuit to the World Council, Equality 7-2521 expects to be praised and honored. But to his horror, the Council orders that he be burned alive for daring to defy the system. He promptly escapes and flees into the wilderness, turning his back on society.

“Anthem” also has an emotional dimension. Equality 7-2521’s romance with a beautiful young fieldworker closely parallels Winston’s relationship with Julia in “1984.” Equality 7-2521 and his lover are both free spirits who refuse to be held captive by the world’s chains, and instead declare their independence from the totalitarian state. Their relationship is a beacon of light in the midst of society’s darkness.

The climax of the novel comes when Equality 7-2521 dares to utter the Forbidden Word: “I.” He thus asserts his own individualism, forever renouncing the collectivist ideology of the state. He proceeds to name himself “Prometheus,” signifying his role as a torch-bearer for humankind.

“What disaster took their reason away from men? What whip lashed them to their knees in shame and submission? The worship of the word ‘We.’…Thus did all thought, all science, all wisdom perish on earth.”

He also states:

“Many words have been granted me, and some are wise, and some are false, but only three are holy: I will it!”… I know not if this earth on which I stand is the core of the universe or if it is but a speck of dust lost in eternity. I know not and I care not. For I know what happiness is possible to me on earth. And my happiness needs no higher aim to vindicate it. My happiness is not the means to any end. It is the end. It is its own goal. It is its own purpose.”

Rand cleverly conveys a very humanistic philosophy within a moralistic story. The “ideal society” of total collectivism is obviously oppressive and evil. The reader’s heart exults when Equality 7-2521 finally asserts his independence and renounces the social order. However, the philosophy Rand conveys is just as subversive, if less obviously so.

For example, what if the Council’s definition of “happiness” conflicts with Equality 7-2521’s definition of “happiness”? For the Council, a carefully planned totalitarian society may be the perfect idea. By what measuring stick should we judge the merits of these conflicting definitions?

Secondly, Rand renounces all “oppressive” moral systems, but nevertheless, her characters abide by an ethical code. The philosophy of Objectivism does not account for the existence of a universal “moral law” or give any reason why individuals should uphold it. This is the Achilles heel of Rand’s line of thought – by divorcing behavioral morality from universal moral standards, Objectivist ethics are left without a foundation.

From a purely artistic standpoint, “Anthem” is excellent. All of her books seethe with tortured energy, as the indomitable human spirit wages war against a repressive society. It’s a gripping, compelling read…much more so than “1984.” It’s a great book for any fans of postapocalyptic literature.

Should you read it?

Anyone who’s read “Atlas Shrugged” or “The Fountainhead” has already been exposed to a full dose of Objectivist philosophy. There’s nothing especially different about the worldview outlined in “Anthem” – rather, as one of Rand’s earlier works, it reflects a stage in the evolution of Objectivism. It’s a good story, and I’m surprised it hasn’t already been adapted for the screen. “Anthem” is worth reading for anyone interested in humanistic philosophy or postapocalyptic novels, and will likely help thoughtful readers attain a better understanding of one of society’s prevailing worldviews.

VERDICT: 8/10
A masterfully crafted, thought-provoking philosophical odyssey.

 
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Posted by on October 21, 2009 in Sci-Fi

 

Literature Commentary: New Moon

Sometimes, being culturally literate isn’t really that enjoyable. I know I said I’d swear off Stephenie Meyer’s “Twilight Saga” after reading and critiquing the first book…but, considering that there’s a movie version of “New Moon” coming out next month…I thought I should probably read it for myself so I could discuss it intelligently. That, and the trailer actually looked sort of interesting.

Bella Swan, the Everygirl protagonist of “Twilight” is enjoying a blissful relationship with her vampire boyfriend Edward Cullen…at least, until she accidentally suffers a paper cut in the presence of Edward and his family. Fearing that he will eventually give in to his blood-thirst and harm Bella, Edward breaks up with her and leaves the small town of Forks, Washington.

After a very long period of post-breakup trauma, Bella begins to once again emerge from her shell. She starts spending time with Jacob Black, a young Native American on the nearby La Push reservation. Their relationship begins innocently enough, but eventually begin to deepen into something…more. (Love triangle, anyone?) Bella also learns that when she is engaged in reckless behavior, she experiences hallucinations of Edward. She promptly takes up motorcycle riding and cliff diving in an attempt to catch brief glimpses of her lost love. After a particularly dangerous stunt, Jacob rescues her and vows to keep anyone from hurting her ever again. (Just in case anyone’s planning on watching the movie or reading the book, I won’t give away any more than this.)

Let’s start with the positives. “New Moon” is a better book than “Twilight” in numerous ways. Chief among these is the fact that Edward is absent for much of the book. His relationship with Bella always seemed cheap and ridiculous…there’s never any explanation given for why he fell in love with her in the first place, or why Bella is so obsessed with him. Their “love story” feels sappy and unrealistic.

(For the record, her behavior after Edward leaves her is NOT normal. I personally think Bella would benefit from a good, long counseling session.)

Jacob Black is the best character in the series thus far. He and Bella enjoy a caring, tender friendship with only a hint of romance. He treats her with respect, acts with a maturity beyond his years, and shows compassion to her during difficult situations. Their relationship is not characterized by the wild, unchecked passion that exists between Bella and Edward. Rather, it is one built on shared interests, trust, and genuine mutual admiration. This, in my opinion, is the way love should be pursued.

Meyer constantly implies that love is an uncontrollable feeling, a rush of breathless desire that blots out all rational thought. Unfortunately, Bella’s relationship with Edward is an unrealistic fantasy with no basis in reality. Not only does Edward frequently manipulate her emotions, but he also encourages her to disregard her parents’ boundaries and break the rules.

This is a huge problem in “New Moon.” As in many teen novels, parental figures are portrayed as bumbling idiots with no concept of “true love.” Bella frequently disrespects her father in her pursuit of Edward, even going so far as to leave home and fly to Italy without telling him. (She lies to him to cover it up). Authority is unilaterally portrayed as stale, boring, and powerless to stand in the way of destiny.

Still more troubling is Bella’s obsession with becoming a vampire herself. She constantly pesters Edward to bite her so that they can spend eternity together, casually disregarding the eternal consequences. I think the following quote says it all:

“He really did want me the way I wanted him – forever. It was only fear for my soul, for the human things he didn’t want to take from me, that made him so desperate to leave me mortal. Compared to the fear that he didn’t want me, this hurdle – my soul – seemed almost insignificant.”

And a bit further on, Bella tells Edward, “If you stay, I don’t need heaven.”

Excuse me?

Last time I checked, there was a verse in the Bible that said, “What does it profit a man if he gains the whole world yet forfeits his soul?” Maybe we should paraphrase this a bit. “What does it profit a girl if she gains Edward Cullen yet forfeits her soul?”

The usual objectionable content in “New Moon,” is practically nonexistent. There are a few swearwords and some mild violence, but nothing else worth mentioning. It’s the false image of love that’s the real problem, not the content itself.

Should you read it? From a purely entertainment-oriented standpoint, it’s a decent read. It’s certainly not something that should be read again and again, but neither is it especially terrible. I suspect, though, that most readers will probably be better off investing their time elsewhere.

VERDICT: 6/10
Relatively entertaining, but devoid of literary worth.

 
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Posted by on October 16, 2009 in Fantasy